Summer morning narrative (why I write)

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a dewy rose

in a shady corner

summer morning

I wrote this today in homage to so many classic Japanese haiku with simple kigos like “summer morning.” The simplicity seemed right for the image. But the narrative is clear to me: the rose, still wet with dew, has so far — it’s still early — been protected from the heat of the sun. It’s in a shady corner of the garden. Later the dew will dry and the sun will search it out, as it were. I felt this way myself this morning: I could feel the summer coming on. Yes, I identified with the rose but not so much with the rose-thing as with the process, from cool morning to something quite other. The movement is the thing.

 

Author: Tom D'Evelyn

Tom D'Evelyn is a private editor and writing tutor in Portland OR and, thanks to the web, across the US and in the UK. His blogs include poemswithoutborders.com He can be reached at tom.develyn@comcast.net. D'Evelyn has a PhD in Comparative Literature from UC Berkeley. Before retiring he held positions at The Christian Science Monitor, Harvard University Press, Boston University and Brown University. He ran a literary agency for ten years, publishing books by Leonard Nathan and Arthur Quinn, among others. Before moving to Portland OR he was managing editor at Single Island Press, Portsmouth NH. He blogs at http://tdevelyn.com and other sites.

2 thoughts on “Summer morning narrative (why I write)”

    1. But you know I often feel moved to study the possible reasons for my pleasure. The analytical tradition no doubt . . . . “Possible” reasons may hint at my self-doubt so it’s good to have your vote!

      Like

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